John Michael Enzing-Miller. “Historical Monument of Our Country.” No publication information but most likely published in New York ca. 1860. Engraving by J.M. Enzing-Miller. 21 7/8 x 29 7/8. Scuffing in margins and some scattered wear. Print has been professionally conserved. Else very good. Strong impression. Framed.
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A wonderful allegory chock-a-block full of images the history of “our Country.” This print was issued about the time of the Civil War and its purpose was clearly to present the glorious past of the United States as a graphic justification for the fight to preserve the country.
The base of our history is rendered as the discoveries of Columbus–dated 1492 and with the explorer receiving the submission of Native Americans wearing the headdresses of the Plains Indians–and the Vikings–dated 1000 and depicted being shown the grapes from which they named Vinland. Just above is a line of early settlers, from the Pilgrims to a frontier family living in a hide hut. Above and to the right are scenes from the American Revolution, including a rather graphic image of the American Eagle ravaging the British Lion and Unicorn. In the upper left is a scene showing the growth and prosperity of the nation, with vast lands stretching off into the distance, a city on a river crowded with ships, and locomotives steaming by, while a large mob of people stand around a large American flag.
The entire image is crowned by a pyramid that mirroring the Acropolis, faced with the shields of the states of the union, and upon which stands line of fifteen Presidents (with Buchanan, the 15th President peering over the others’ shoulders. At the head of this line Washington holds a hand on the Constitution, while covering his heart with his other hand. Seated nearby is a figure holding the Declaration of Independence, and flying above are goddesses of Liberty and Justice. In the distance, behind the Presidents, is shown the Capitol building surmounted by another large American flag.
The artist, John Michael Enzing-Miller, who also engraved this impressive print, was a German-born painter who immigrated to America 1848, exhibiting his works at the National Academy and American Art Union. This print was a paean to his adopted country, and he intended the viewer of this teeming “Historical Monument” of American history to be moved to wonder how anyone could wish to render the nation asunder.